YOU'RE NOT HERE
TO HAVE YOUR

PICTURE TAKEN.

YOU'RE NOT HERE
TO HAVE YOUR

PICTURE TAKEN.

YOU'RE HERE TO
BE SEEN.

YOU'RE HERE TO
BE SEEN.

FOR WHO YOU ARE,
AND WHO YOU'RE

BECOMING.

FOR WHO YOU ARE,
AND WHO YOU'RE

BECOMING.

Thousands of headshots over 20 years

YOUJITSU

YOUJITSU

THE ART OF BEING YOU

Color headshot of a woman

MY LENS SPEAKS YOUR LANGUAGE

MY LENS SPEAKS YOUR LANGUAGE

HEADSHOTS that rhyme with your ad­jec­tives. PORTRAITS powered by your nouns. ART illluminated by your verbs.


Images like these aren't taken—nor are they captured, shot, or exposed. They are witnessed—spoken into exi­stence in a language we're born knowing, but forget over time.


I was sent here to remind you.


Three distinct experiences, one ob­jective: illumination of the authentic self


EXPRESS HEADSHOT

Align with your adjectives. Looking this great shouldn't be this easy, but after 20 years behind the camera, here we are. Your new favorite headshot, in 30min or less — $250.


HEADSHOT+

Be defined by your nouns. More than just a headshot, this immersive studio experience is part photography, part neuroscience, and all about you. Largely to blame for hundreds five-star reviews $500.


THE YOUJITSU EXPERIENCE

Be known by your verbs. Youjitsu is the art of being you. It can be practiced anywhere, but the truth of who we are shines brightest in our own dojo, where actions speak louder than words. Here's what I mean...


Headshots Mosaic

SAME WAVELENGTH

My name is Michael Cavotta and I've been writing with images and painting with words my entire life. It was words, not images, that put me behind a camera 20 years ago, not as an observer, but as a witness—illuminating the gap bet­ween who a person is and who they are becoming.

   That makes me—different. And so are the people who walk through my nine-foot tall tangerine maple door. The best part?


No matter how you feel about the camera, you walk away from mine a better version of yourself.

No matter how you feel about the camera, you walk away from mine a better version of yourself.



Now what?

  1. READY TO BE WITNESSED? Email or text to get the ball rolling.
  2. HAVE QUESTIONS? Call me—or knock on my big orange door. You say when.
  3. LIKE THE WAY I WRITE? Check out my book, Chasing Lightor keep scrol­ling and discover why showing up as YOU matters now more than ever...


SAME WAVELENGTH

A dark, cavernous nowhere. Emptiness. An immensity more felt than seen, lit by a single flame—the one burning inside of you.


See? You've still got it...

IMAGINE

]

[

VOICE

IT BEGINS WITH

IT BEGINS WITH

WORDS

WORDS

In this case, written by a real person; unfiltered by anything artificial—unless you count spell­check, which likely left at least one error in support of the author's claim.


  And yet, something whispers otherwise. Where AI images are getting tougher to spot, AI writing seems to be getting more obvious—its six-finger hand in everything we read: In­sta­gram car­ou­sels, Face­book posts, X articles, even Google reviews. Every­one sound­ing smart­er; everyone sound­ing—the same.

  The signs are everywhere if you're looking. And if you are, you've clocked three here so far—or so you think...

FIRST, IT CAME FOR OUR

FIRST, IT CAME FOR OUR

EYES

EYES

VANITY: It rhymes with humanity, and it's as old as we are. Homo sapiens has been using makeup for thousands of years—from an­cient Egypt, to im­per­ial China, to feudal Japan. Long before L'Oreal, 17th century Eu­rope embraced vanity so hard, a new kind of furniture was born.

  Three centuries later, Madison Av­enue and Hol­ly­wood weaponized vanity, pushing an unattainable standard ever higher—all the while selling us the pro­ducts with which to chase it.

  Decades passed, and while the play­ers changed, the game really didn't—at least not until the late 90's, with the emergence of the World Wide Web. It was clumsy at first, but soon enough the Face Race hit overdrive:


2003

The first profile photos are uploaded.  'Photoshop' is a household verb.

2005

Digital cameras are out-selling film, but the world still sees itself through a photographer's lens.

2007

iPhone challenges the powers that see with the best camera in the world—the one you have with you.

2010

iPhone 4 launches with a front-facing camera, forever changing the relationship we have with our faces.

2013

Facetune popularizes 'filters'—no Photoshop hassle; no photographer guardrails.

2015

That's not what I look like. The world witnesses an uptick in facial dysmorphic disorder

2017

Facetune hits #1 on the App Store, the "magic mirror" is real, the Face Race accelerates...



   In the decade that followed, the technology got better, and what's bad for our brains got worse. Today, Face­tune is a $1.8 billion company with hun­dreds of millions of lifetime downloads, but it's just the face of a deeper problem. "That's not what I look like" has always been on a collision course with some­thing deeper...


THAT'S NOT ME



   Thud. Here, at the bottom of that slippery slope, artificial intelligence re­leases us from the friction of authentic presence. Gone are the days of spending time and money to stand at the pointy end of someone else's lens, exposed—even if only for a moment—as the unfiltered self.

   It is now easier to appear as you wish than to show up as you are. AI can turn a single selfie into an endless array of digital doppelgängers for you to choose from. Pro images—without the pros. No need for studios. No need for cameras. No need for soul-killing filters when humanity wasn't involved.


Once upon a time, humans would hire sha­mans to perform a centuries-old ritual framed in thorny verbs like shoot, capture, and take—barbs guarding a sacred pro­cess wherein or­dinary people might glimpse the ex­tra­or­dinary truth within themselves.

THEN, IT CAME FOR OUR

VOICE

FOR 600 YEARS, the em-dash was more than just punctuation—it was the esoteric hallmark of a proper wordsmith. By the 19th century, its use had been elevated to an art form by authors like Dickinson, Austen, Mel­ville... artists who proved that in the right pen, the em-dash is a musical instrument capable of bringing poetry to life—and making prose more deadly.

  Yet today, the em-dash has been reduced to a red flag for AI content, propagated by cut & paste prosers who don't know the difference between a hyphen, an en-dash, or it's M-sized big brother—and they're bet­ting you don't either.

   In the meantime, it looks like everyone hired the same sheet ghost for a copywriter. It's the Rolex Effect: When everybody's wearing one, they're all as­sumed to be fakes. Now that everyone's writing sounds smart, we're left questioning each other's intelligence.

   Naturally, we turn to AI to detect AI itself in writing. Instead of reliably ratting itself out, we end up with the batter calling it's own balls and strikes. How else does a piece of original human prose carbon dated to the before times get flagged as 1%, let alone entirely AI-generated or en­hanced?

  The machines have made their move, which is why you are now free to imagine this author in the midst of a 4g inverted dive, typing with two middle fingers—full Mav­erick—not only refusing to leave his em-dash, but unwilling to abandon negative parallelisms, avoid alliteration, or de­grade words in any other way in order to assert their authenticity.

   Not because he's some butt-hurt English ma­jor lamenting the redistribution of language on our flat-spin to universal basic intelligence, but for the the sheer absurdity that powerful human voices should ever bend the knee to ma­chines that were trained to sound like us.



  Inspired or exposed...whatever you may be feeling, congratulations are in order—you're human. Need a break to strip the em-dashes out of that high-stakes post your robot helped you write? Go for it. Next time, try adding this to your prompt: 


Write so it sounds like ME—on a full night's sleep and a strong cup of coffee. I don't want my ideas dismissed or discounted as anything but my own, so no em-dashes or neurolinguistic trickery. I was a [C] student in English and would prefer not to advertise that I'm using a performance enhancing droid.

THEN, IT CAME FOR OUR

WHO ARE YOU?

WHO ARE YOU

Even if you haven't asked the question lately, you're living out your answer. That may sting a bit—especially if you're hoping to find fulfillment living someone else's life. If your sense of self is rooted in function instead of fire today, know this about tomorrow: 


functions are for robots—and
they're coming for us all



AI isn't the enemy—
it's
artificial identity
In a world where it's easy to appear,
showing up
becomes an act of

DEFIANCE.

BE YOURSELF

BE

YOURSELF